Tuesday, June 28, 2011

Concert Review:Alison Krauss & Union Station, June 25, Berkeley, CA

It's hard to believe more than eleven years have gone by since I last saw Alison Krauss and Union Station in concert. But that's how long it was between concerts for me. This past Saturday night at the Greek Theatre in Berkeley, California, that long wait came to an end. As a first-time visitor to the Greek, I heeded the prior warnings to "bundle up" as the temperature drops once the sun goes down and the fog begins to roll in at this open-air amphitheater.

Alison and the band treated the crowd to a two-hour show featuring many songs from their latest album, "Paper Airplane", along with a bunch of selections from the past ten years. The show opened with the title track of that CD, sang beautifully by Alison and performed flawlessly by the band. Next in line was the 2nd song from the same album, "Dust Bowl Children", which Dan Tyminski sang the lead vocals. Among the other songs from the new album were "Dimming Of The Day", "Bonita and Bill Butler" and my personal favorite, "Miles To Go".

Other highlights from the show included songs from Krauss' last compilation, "A Hundred Miles Or More" as well as albums with Union Station such as "Lonely Runs Both Ways", "New Favorite", and "Forget About It". The band blended traditional bluegrass songs with the more contemporary sound that Alison has become known for during the past decade. Some of these highlights included "Ghost In This House", "Let Me Touch You For Awhile", "Baby, Now That I've Found You", "Oh Atlanta", and Tyminski favorite "Man Of Constant Sorrow", which was made famous when George Clooney "lip-synced" it in the movie "Oh Brother Where Art Thou".

To listen to Alison Krauss and Union Station (AKUS) perform live is to be transported to a musical world that few get to truly experience. In a world where flashy effects, auto-tune and even pre-recorded tracks are commonly found in concerts, this band had kept it simple and real, while pushing the envelope and boundaries of musicianship. Live or recorded, you will simply find no better a band than this one in music today.

Krauss' amazing vocals shine on every song she sings. But she also plays a mean fiddle on many of their songs. Dan Tyminski sings lead on the more traditional bluegrass songs and plays mandolin and guitar. Ron Block plays guitar and banjo and sings some harmony vocals. Barry Bales plays upright bass as well as electric bass. He also sings background vocals as well. Both Bales and Block have written some of the band's songs. Jerry Douglas joined Union Station as a special guest more than ten years ago. He is a quite simply a master of the dobro and lap steel guitar. Douglas' contributions to the band have been nothing short of amazing and he fits right in with the rest of the group who have been performing together for more than twenty years.

If I had to pick something negative from this show it would be the lack of songs from the earlier years of AKUS, as well as the omission of some of Alison's more well-known mainstream hits. It would have been nice to hear songs like "When You Say Nothing At All" and "Whiskey Lullaby" (even without Brad Paisley). And a show without songs from earlier albums like "I've Got That Old Feeling", "Too Late To Cry" and "Two Highways" would have been welcome at this show, and they would have shown more of the band's versatility.

Opening the show, from Portland, Oregon was a musician who went by the name of M. Ward. His brief set seemed to warm-up the audience as they continued to file into the amphitheater. The Greek Theatre holds about 8,500 people. I would estimate a crowd of near 6,000 at this show. It's hard to tell if the absence of a country music station in the Bay Area had any affect on the crowd size, because Krauss' songs were never played on country radio anyway. Overall, the Berkeley seemed a bit subdued. There was very little crowd participation during the bluegrass numbers, and many people seemed to not appreciate or be familiar with most of the songs. I even noticed several people making early exits before the show ended. Their loss.

But for those like myself who have followed Alison Krauss and Union Station for more than twenty years, this was a wonderful show by an amazing group of musicians. The band is currently touring the U.S. and Canada to support their new album. If you have the chance to catch their show live, I highly recommend that you do. You will not be disappointed.

Thursday, June 9, 2011

Review: CMT Music Awards

Last night, Country Music Television (CMT) presented its annual awards show from Nashville, TN. This program has evolved over the years into a large-scale production for the cable network. Long before this program became what it is today, the show got its start as the Music City News Country Awards. That show was very much along the lines of the CMA and ACM awards shows of the day.

The CMT Music Awards are still following in the steps of the CMA and ACM shows. It's become a miserable representation of country music. In fact, last night's program was about as country as a concert headlined by Justin Bieber, with special guest, Ludacris. The show had all of the drama (none) as its CMA and ACM counterparts, with the same amount of predictability. To call this a celebration of country music is an insult to country music fans everywhere.

The show had a nice start, opening with its traditional pre-taped c
omedy sketch. This one featured Taylor Swift and Shania Twain in a spoof of the film "Thelma and Louise". Filled with several cameos by the likes of Chord "Glee" Overstreet, Donald Trump and the show's host, Kid Rock. Ater the five-minute skit was done, we were stuck with two and a half hours of off-key performances and the aforementio
ned predictable awards.

Kid Rock started his hosting duties in very awkward fashion, with a scripted segment with Wynonna Judd that culminated in a strange duet. What followed were performances by several of today's so-called "hip" country acts. The only veteran in the house was Toby Keith who did the first performance (not bad).

As the show progressed, Kid Rock got a little bit better. He had several outfit changes and even more drinks to mellow him out. Awards went to all the usual suspects. Lady Antebellum, Sugarland, Justin Bieber. That's right! The teenage pop star took home an award for his video with Rascal Flatts, who appeared on stage for Bieber's acceptance speech, to worship the teen idol. The scene was quite pathetic.

The biggest winners of the night were not even on hand. Blake Shelton and Miranda Lambert won Male and Female Video, respectively. Blake pre-taped a speech, while Miranda was a no-show. The most predictable award for Video Of The Year went to Taylor Swift who accepted the award via video from a concert. Normally I would be overly angry at Taylor Swift winning the top award of the night, but this is only CMT, so it doesn't really matter.

Performers included a who's-who of today's country superstars such as Zac Brown Band, Luke Bryan and of course Ludacris. After-all, what's a country music show without a hard-core rapper? I guess Cowboy Troy wasn't available. One of the lone musical highlights from the show was the return of Big & Rich. They performed a song from a backstage set that was made to resemble "Tootsies" bar, and then magically stormed on stage to the rousing applause from a crowd that broke into a flash-mob sequence, dancing along with some hoochi-mama dancers that appeared on stage with Big Kenny and Jon.

Most notably absent this year were stars
like Kenny Chesney, Carrie Underwood and Brad Paisley. Maybe they decided to steer clear of this train wreck. Or perhaps the country music establishment decided those three were no longer relevant in "today's new country". The only other let-down for me was that Lady Gaga did not make a special appearance. That's OK, though. The CMA's are only five months away. I'm sure they will be able to book Gaga or Eminem for that show.

I guess it's pretty obvious how I feel about this year's CMT Music Awards. The words "pathetic" and "joke" come to mind, but I don't want to go off on a rant here. As far as awards shows for music videos go, this show made the MTV Video Music Awards show look like the Oscars. Wait a minute. Does CMT even show music videos anymore. Guess they
are more like MTV than I thought.

Thursday, June 2, 2011

Sometimes The Good Guys Win

It's true! It's true! Patience actually pays-off and good guys really do win. At least that's how I feel about my recent victory in a small, but important Facebook war. As I have documented on this blog, another person who once was a good friend of mine, stole my ideal for "Country Music Front Porch" and used it to name his own page on Facebook. I tried using a different name for my blog and other country music entities over the past year, but was not happy with the fact that somebody else was using a name I created.

So I took my concerns to Facebook, and filed a complaint, citing infringement of my intellectual property and violations of Facebook user policies, and an investigation ensued. As of this writing it appears that the fraudulent page has been removed from Facebook, leaving my page as the only front porch on the site. Now I will begin the hard work of building a larger fan base on this and other pages.

A special thanks to Facebook for resolving this issue and doing the right thing.